Upcoming Screenings
You can see screenings the following titles from the VP Distribution Catalogue. See if there is one near you!
Thirza Cuthand’s 2-Spirit Introductory Special $19.99 will be screening the Reel Pride Film Festival on 10 October 2018 at 7pm
Freya Björg Olafson’s Painting with the Man and Dominique Rey’s Funambule will bee screening at Antimatter [Media Art] 11-21 October 2018 (check their schedule for specific screening times).
International Limestone Coast Video Art Festival
Nine titles are screening at the International Limestone Coast Video Art Festival, in Mount Gambier Australia 29 September – October
Adam and Eve Saulteaux by Theo Pelmus & Kris Snowbird
Faire Corps by Caroline Blais
Fiddling Neurons by Lesley Nakonechny
Founder by Leah Decter & Cheryl L’Hirondelle
Funambule by Dominique Rey
Mind Unseen by Heidi Phillips
My Flesh Crawls by Alison Davis
Shallow Deep by Tracy Peters
Vigilance by Shawna Dempsey & Lorri Millan
Loner Culture at Inter/Access
Four of Thirza Cuthand’s videos are part of the exhibit Loner Culture at Inter/Access in Toronto from 14 September-27 October 2018. Loner Culture is a group exhibition curated by Lindsay Nixon, featuring media works by Thirza Cuthand, Kite, and Fallon Simard.
Cuthand’s videos on display are:
Colonization: The Second Coming
Bisexual Wannabe
Working baby Dyke Theory: The Diasporic Impact of Cross-Generational Barriers
Lessons in Baby Dyke Theory
Shawna Dempsey & Lorri Millan at the Walter Phillips Gallery
Shawna Dempsey & Lorri Millan’s Lesbian National Parks and Services: A Force of Nature is on display as part of the exhibit The Cave at Walter Phillips Gallery from 29 September to 14 December 2018.
THE CAVE, assembles new and existing sculpture and video works by Los Angeles-based artist Young Joon Kwak, featuring collaborations with Marvin Astorga and Kim Ye, and presented alongside works by Adrian Stimson and Shawna Dempsey and Lorri Millan. Interrogating the cultural phenomena of the man cave, the exhibition speaks to the ecstatic mutability of bodies and the relationship between the cave, the cinema, and the dark closeness of the club. THE CAVE is also responsive to the context of Banff National Park and the legacy of artistic practices which have engaged with the present and historical complexities of the region.