Three tall, narrow, framed signs on a black background with vertical writing. The first sign says "MATR" the second says De (in blue)Press (in black) i (in blue) ON (in black). The third sign says 2023.

Media Arts + Technology Residency – Call for Applications

Video Pool Media Arts Centre is pleased to announce our upcoming Media Art + Technology Residency (MATR).

The theme for MATR this year will be (de)PRESS(i)ON, and is a part of a year-long program celebrating and exploring VP’s 40th anniversary, what we are referring to as our Mid-life Crisis™. The VP mid-life crisis™ series will feature programs from the six stages of a typical mid-life crisis: Denial, Passion; Replay, Depression, Withdrawal, and Acceptance.
For MATR, we are asking artists to “Press On” with us… to persist, continue and to advance technology-based art while delving into the past 4 decades of VP history.

Pocket Cinema Package

Pocket Cinema 4K Packages New Pocket Cinema camera’s all decked out! More Power! Having taken in your feedback about the Pocket Cinema 4K’s, we’ve augmented them with some flashy new equipment. Each camera now has: Atomos Shinobi 5″ display Samsung…
VP's logo with the words "Safer Sapces Policy" on the right side, all in fuschia.

Safer Spaces Policy 2022

Announcing VP’s new Safer Spaces Policy, a document that is meant to guide the organization and it’s partners, members, friends and audiences as we work towards creating a welcoming and enjoyable organization for everyone.

Anna Costa e Silva Open Studio

Terremoto, Ubisoft, and Video Pool Media Arts Centre present a screening and open studio with Anna Costa e Silva, facilitated with local curator Mariana Muñoz Gomez. Costa e Silva is currently an artist in residence in Winnipeg, Manitoba, Canada through Terremoto x Ubisoft, working on various projects expanding her performative and media arts practice, collaborating with Ubisoft employees. Join us for a screening of her video tremor-tentativa | tremor-attempt, and a dialogue between the artist and Muñoz Gomez as Costa e Silva presents on previous artworks and works in progress. tremor-tentativa will also screen throughout the afternoon.
Scott Leroux

2022 Scott Leroux Fund Call for Applications

The Scott Leroux Fund for Media Arts Exploration (SLFMAE) offers $2000 for a one-month residency exploring a specific technology and related aesthetic approaches. This year the residency will be focused on SOUND ART.

The SLFMAE Residency will run from Sept 26 – Oct 30, 2022.

VP Learning Laboratories – In Place (Jason Kahn)

What does it mean to listen, as opposed to just hearing? How do we interact with the social and physical spaces we move through each day by listening or not listening? How can we raise our awareness of the world around us by paying more attention to its sounds and how they influence our lives? In this workshop we’ll explore these questions and consider what listening can mean in our everyday lives.

Welcome Iyunade Judah!

VP would like to enthusiastically welcome our new Creative Programs Manager, Iyunade Judah.

Iyunade (he/him) is coming to VP fresh after graduating from the University of Winnipeg’s film program and brings with him a deep-seeded interest in experimentation and exploration through creative practices. As a visual artist, Iyunade’s focus is largely on photography, film and sound, using re-imagination and symbolism to investigate the relationships between blackness and masculinity, tradition and love.

We’re excited about how this will fit with VP’s focus on exploration and technology, and are really looking forward to Iyunade getting settled with us and helping guide the VP ship into new explorations with art and technology.

Please join us in welcoming Iyunade to the VP team!

Chukwudubem Ukaigwe | Tracing Currents

Originally developed from his Scott Leroux Fund for Media Arts Exploration Residency, Tracing Currents is a new, immersive multi-channel installation that cites multiple degrees of casual and fleeting happenings. This work colligates both extensive and distinct records of Afro-diasporic mappings by means of juxtaposing ambient and evanescent videos of African life with documentations of Black families dining together in Canada.