Author: Iyunade Judah
Media Arts + Technology Residency 2025- Call for Applications
Video Pool Media Arts Centre is pleased to announce our first Media Art + Technology Residency of 2025 (MATR25) in partnership with TakeHome BIPOC ArtHouse.
The Media Art and Technology Residency (MATR) is designed to be a site-specific exploration of VP’s Poolside Gallery and its environs, where artists will develop and install a new work that responds to and utilizes the gallery’s characteristics. MATR specifically supports experimental, independent technology-based works and we welcome submissions that respond to the annual theme.
Day With(out) Art 2024: Red Reminds Me…
Red Reminds Me… will feature newly commissioned videos by Gian Cruz (Philippines), Milko Delgado (Panama), Imani Harrington (USA), David Oscar Harvey (USA), Mariana Iacono and Juan De La Mar (Argentina/Colombia), Nixie (Belgium), Vasilios Papapitsios (USA).
The body is a score – Zoë LeBrun
Video Commission Residency 2024 Presentation
Featuring new work by James Dixon, Ibrahim Shuaib, Natalie Baird and Toby Gillies, please join us for the premiere of these gorgeous new works.
Video Commission Residency Vol.2 Recipients
SLFMAE 2024: <\AV_+_AI/> – Remilekun olusoga
Part of the 2024 Scott Leroux Fund for Media Arts Exploration
During his residency, he explored the creation of multimedia artworks, producing a series of artworks with analogue and digital elements in conversation, through analogue video mixing technologies and AI-powered image-image generation. Investigating facets innately particular to both systems and ultimately offering viewers a fresh perspective on media synthesis.
Video Commission Residency 2024- Call for Submissions
SUBMISSION DEADLINE IS JUNE 16, 2024.
We are currently inviting submissions from artists based in Treaty 1 territory.
Michael Lucenkiw – The Environment Machine Shop
JUNE 7 – JULY 23 2024.
The Environment Machine Shop is an interactive artwork that explores our relationships with the rivers of Winnipeg by examining six water samples taken from sites along the Red, Assiniboine and Seine rivers using a collection of DIY tools.