Red Reminds Me… will feature newly commissioned videos by Gian Cruz (Philippines), Milko Delgado (Panama), Imani Harrington (USA), David Oscar Harvey (USA), Mariana Iacono and Juan De La Mar (Argentina/Colombia), Nixie (Belgium), Vasilios Papapitsios (USA).
Category: Programming 2024
The body is a score – Zoë LeBrun
Video Commission Residency Vol.2 Recipients
SLFMAE 2024: <\AV_+_AI/> – Remilekun olusoga
Part of the 2024 Scott Leroux Fund for Media Arts Exploration
During his residency, he explored the creation of multimedia artworks, producing a series of artworks with analogue and digital elements in conversation, through analogue video mixing technologies and AI-powered image-image generation. Investigating facets innately particular to both systems and ultimately offering viewers a fresh perspective on media synthesis.
Video Commission Residency 2024- Call for Submissions
SUBMISSION DEADLINE IS JUNE 16, 2024.
We are currently inviting submissions from artists based in Treaty 1 territory.
Michael Lucenkiw – The Environment Machine Shop
JUNE 7 – JULY 23 2024.
The Environment Machine Shop is an interactive artwork that explores our relationships with the rivers of Winnipeg by examining six water samples taken from sites along the Red, Assiniboine and Seine rivers using a collection of DIY tools.
Resonance & Cross-Sensory Translation in Pyrotechnic Arts
Aderemilekun Olusoga – Artist in Residence for SLFMAE 2024
It is our pleasure to announce Aderemilekun olusoga as the 2024 recipient of the Scott Leroux Fund for Media Arts Exploration (SLFMAE). In memory of Scott Leroux and supported by the Leroux family, the SLFMAE is an annual, month-long residency focused on the research and exploration of a specific technology and related aesthetic approaches. This year the residency is focused on working with the Analogue Video system.
Lights On The Exchange
Taking place at The Output, join us for this closig night event for the Lights on the Exchange Festival, featuring 3 gorgeous A/V performances from four artists!
‘drawing Room -Lawrence Bird MATR 2024
‘drawing Room explores aspects of “Withdrawal”, the last stage of VP’s Mid-life Crisis™ to be explored this year. The project deploys an array of moving images, audio, screens and technological remnants to collapse the distance between architecture and media, imagining Poolside gallery as a ground zero for future growth – expanding outward into adjacent spaces in Artspace, the city, and the world.